While I have never covered this topic here before, I fully admit: I am a Broadway addict. I LOVE Broadway. Musical or play, modern or classic — I love it all. It’s an exciting time to be a Broadway fan, and also a New Yorker, and it’s an incredible Broadway season. Today, Tony Award nominations were released, solidifying my belief that this is an outstanding Broadway season. I mean, you have Idina Menzel, Sutton Foster, and Kelli O’Hara all nominated in the same category. Last season was pretty “meh” all around. The only notable shows were Matilda and Kinky Boots, and while they are both still running, I didn’t really have a desire to see either of them. This season, however, there is literally something interesting for everyone, including a lot of notable Broadway, television and movie stars alike taking to the Great White Way. From movie favorites like James Franco, to former Tony winners like Sutton Foster, Broadway is back this season in a big way.
One of the greatest perks of living in New York is that occasionally, when you can afford it, or when the opportunity presents itself, you have the opportunity to see a Broadway show at any time. This spring, I have had the opportunity to see several productions. After winning the lottery on Twitter, I had the pleasure of seeing Book of Mormon for a second time. I initially saw it for the first time with the original Broadway cast, so I was a little apprehensive of what the production would be like sans Andrew Rannells and Josh Gad. However, Nic Rouleau and Ben Platt (currently starring in the Broadway production as Elder Price and Elder Cunningham, respectively) certainly made the roles their own (you may remember Platt as the weird roommate from Pitch Perfect here), and I laughed at the numbers as if it were the first time I was seeing them. Obviously I highly recommend BOM if you’ve yet to see it, but if you can see it with the cast currently on Broadway, even better. Pro tip: if you live in NYC, follow @BookofMormon on Twitter. Occasionally, they’ll tweet out to retweet them for a chance to win lottery tickets to a performance. Literally, all you do it hit RT, and you’re entered to win $30 tickets to the show. It’s amazing, and you are getting tickets that probably cost hundreds of dollars (the people in front of me while I was picking up the tickets were meanwhile paying $400 for theirs).
Next on the agenda was If/Then starring the wickedly talented, one-and-only, Adele Dazeem… aka Idina Mezel. I bought discounted tickets to one of the previews for myself for my birthday to see Broadway royalty AKA Idina and Anthony Rapp in real life. Overall, the musical is worth seeing if that’s why you’re seeing it. The level of talent is outstanding, and Idina took my breath away. But overall, it’s not really my style of musical — you’re not overly invested in the story, and the music isn’t the type of score that you’re going to leave wanting to listen to after. It’s not very catchy, and the songs are mostly forgettable. But, it’s entertaining, and it was certainly worth the price that I paid for the ticket, considering I was pretty much only going to see Idina live.
However, if you have money to spend on a ticket this Broadway season, you must see Hedwig and the Angry Inch.
Admittedly, I knew NOTHING about this show when I decided that I wanted to go. All I knew was that the one and only
Barney Stinson Neil Patrick Harris was starring as a glitter-loving, transgendered woman. I am obsessed with NPH’s performance skills. His voice is not only delightful, but effortless. I had to see HEDWIG. So, when the basketball tickets that my boyfriend had purchased for me fell through (in that our team wasn’t in the bracket that we purchased tickets for), he re-sold them and asked what I wanted instead. In place, we went to the show. It was not at all what I expected in the best possible way. When I say that I loved every minute, I am not exaggerating. From the second Hedwig/NPH hit the stage slaying “Tear Me Down,” I couldn’t tear my eyes away. The music is catchy as can be, and it’s been stuck in my head since we saw the show almost two weeks ago. NPH was hilarious and yet poignent at the same time. I did not want this show to end. I was endlessly in awe of NPH’s not only commitment to the role (he has slimmed down so much that I am essentially a worried mother at this point), but his ability to make me forget that I was watching NPH. Aside from a few technical/mic glitches (the entire show is on hand-held mics, and this was previews), there was not a flaw in the production that stuck in my mind. I loved this show so much, that I stage door-ed for the first time since… Spring Awakening in 2007? If you hear the hype about HEDWIG, believe it, and immediately try to get tickets (and also look for the fake, but hilarious programs from the short-lived Hurt Locker: The Musical! under your seat. They reference it several times in the show, and I think I was the only audience member to discover these scattered about on the floor).
Next on the agenda? Cabaret, hopefully. I would love to see Alan Cumming on Broadway (or Eli from The Good Wife, as I had to explain to my mother). Life is a Cabaret, after all.